We start our series of the Best Shots of All Time by looking at size, breaking down some of the best close ups, mediums, wide shots and extremes in film history. But it's not all about looking pretty, we dive deep into how and why each kind of shot is used.
The first and by far the most respected of the trilogy, The Matrix “largely interprets Plato’s Allegory of the Cave. Imagine a cave. Inside are people who were born and have spent their entire lives there, chained into a fixed position, only able to see the wall in front of them. As far as they know, this is the entire world.” The Wachowskis ask the same question Plato does: “How do we know what our reality really is?”
I always thought myself that the endless pretentious discussions about the "philosophy" of The Matrix are largely conducted by college-age single men who - in slightly different circumstances - would have been obsessing over Madame Rand. I still think the Wachowskis idly paged through some Philo 101 compendium and picked out whatever sounded cool or whatever. Or perhaps just randomly clicked through Wikipedia pages.