Readings

Mark Fisher: Capitalist realism

k-punk's political incarnation wrote one of the few decidedly Marxist books that has acquired bestselling status and is widely known - even to the degree that "capitalist realism" now most often means what Mark says it means in this book. And a good book it is, admirably short and precise. It attacks our neoliberal shithole head on - but also, and as importantly, has issues with the whole post-something and identity politics and what not. Call me an Alt-Marxist if you want: I shall not complain.

Susie Steiner: Missing, Presumed

A nice read with a twist: a police officer that is a dropout from an Oxbridge institution, drinks a wee bit too much, drives an old and eccentric car, and has troubles with the old love life: not Morse, but a woman. And a story that also twists and turns and does manage a plausible but still surprising hard left at the very end.

David Peace: Nineteen Seventy-Four

Part of a trilogy of Yorkshire Noir, and dark they are indeed. Not a nice place in any way, Yorkshire, in the year 1974. We are left to somewhat root for a young investigating journo, but even he is an absolute dick in many ways. The rest of the cast are hardly much better. But books such as these show that a political thriller does not have to heavy handed nor does it need to wear rosy, tinted glasses.

Megan Miranda: All the Missing Girls

The South, it is hot and humid and 2 girls - years apart - disappear. The trick is that the book is almost entirely told backwards which gives the whole unreliable narrator thing (and that is also present) an interesting spin. Nice read, but once you get beyond the awesomeness of the narratological trick, exactly how interesting are the left overs?

Jon McGregor: Reservoir 13

So, another book about a missing girl. Except not like any other, quite. As we follow the ebb and flow of life in a valley in the North of England through 13 years, a lot happens and a lot does not. Any moment we expect something to happen, Rebecca to be found, but instead we see and hear and smell life in the village as seasons come and go, years come and go, people grow up, fall in love and fall out of love, get sick, die, start over, and the badgers and the foxes do their thing in the woods, year after year. The memory of the girl is always there, in the back, but not more prominent than the fact that somebody burned burn a shed, the school got a new heating system, the snow fell in the next valley, and the village lost the annual cricket match, yet again. The prose is glorious throughout, but you need to pay attention, slow down, and let the life in the village flow past you.

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